Japan, 1936. An eccentric artist named Heikichi Umezawa is found dead – murdered, in his locked studio. Along with his dead body, detectives also find his journal, or “Will,” describing a gruesome project he had planned to carry out. A staunch believer of astrology and the occult, Heikichi writes in his journal that his obsession over woman has inspired him to create the perfect woman whom he will name Azoth. To execute his plan, Heikichi details how he will need to kill 6 women and use different parts of their bodies, based on their astrological signs, to create a perfect specimen, Azoth. However, before Heikichi can carry out his plan, he is brutally murdered one snowy evening, alone in his studio. Police investigators are baffled by Heikichi’s death – by how the murderer,or murderers could have killed him in his room which can only be locked from the inside.
Unfortunately for police investigators, the mystery behind Heikichi Umezawa was just beginning. A few days later, his eldest stepdaughter is also found murdered, and raped in her home. A few weeks after that, his 6 daughters and stepdaughters go missing. Later, the 6 girls would be found, one by one, dead, their bodies cut up, missing the parts specified by Heikichi which would be used to make Azoth.
The gruesome deaths came to be known as The Tokyo Zodiac Murders, which had baffled police investigators, amateur detectives, and mystery lovers throughout Japan. How had Heikichi’s plan been carried out after his death? Who killed the Umezawa girls? Did the killer really create Azoth, and if so, where was she hidden? Did Heikichi fake his own death so he could carry out his grand plan? These are just some of the questions that plagued those obsessed with solving the case.
Shortly after the occurrence of the Tokyo Zodiac Murders, Japan was devastated by World War II, and the case was closed, unsolved. However, after the war, there was a renewed interest in Heikichi Umezawa and the strange case, and countless books were written about the crime, each author presenting his own hypotheses about what really happened. 43 years later, in 1979, the case is re-discovered by mystery buff Kazumi Ishioka and his friend, astrologer Kiyoshi Mitarai, who, on a bet, are determined to solve the case and end the mystery behind the Tokyo Zodiac Murders. By reviewing all the known facts about the case, and following leads, Kazumi and Kiyoshi come up with their own hypotheses about what really happened to Heikichi, the Umezawa girls, and Azoth, and try to provide answers to the case so complicated it has remained unsolved after more than 40 years.
The Tokyo Zodiac Murders by Soji Shimada is a unique mystery novel known in Japan as a honkaku, or “orthodox,” or “authentic.” I don’t exactly know what it means for a mystery to be “orthodox” or “authentic,” but honkoku novels differ from the usual mystery novels or psychological thrillers in that it focuses not on characters or the development of themes, but on the actual plot and the placement of clues for the mystery. Honkaku mystery novels are designed to be interactive, with the author creating a story for the readers to solve, along with the characters in the novel. According to the explanation at the back of the novel, unlike the typical mystery novel that tries to deceive readers regarding the identity of the killers, etc., authors of honkaku novels don’t hide anything from their readers. In fact, they provide all the clues needed in order for the readers to try and solve the case on their own.
Honkaku mystery novels focus on the mystery itself, and on the clues being provided to the readers, which probably explains the blandness of this novel’s characters, lack of depth, personal background, and their forced, awkward dialogue. At first I thought it might be due to poor translation, The Tokyo Zodiac Murders being originally written in Japanese, but after finding out that it belongs to a special kind of mystery sub-genre, which is designed to engage readers to solve the mystery, it made sense that the novel’s strengths lay in the story regarding the Umezawa killings, and not on the two main characters, Kazumi and Kiyoshi. Twice in the novel, the author, Soji Shimada even interrupts the story to write notes addressed to the readers. In his first note, the author tells the reader that he has now provided all the clues the reader would need to solve the mystery, and in a second note, shortly after, Shimada tells the reader to focus on certain questions, which he/she can surely answer, based on the clues he has already provided.
Being a fan of mystery and the macabre, I found the plot of The Tokyo Zodiac Murders interesting. At first I was turned off by Kazumi and Kiyoshi’s lack of depth, chemistry, and awkward dialogue, but upon learning that it was a honkaku, I was able to move past the lackluster storytelling and concentrate on the mystery being presented. Unfortunately, though the author assured me that I had all the clues needed to solve the puzzle, I was unable to solve the mystery on my own, and ultimately had to rely on Kazumi and Kiyoshi to unravel the mystery. The locked room mystery will be familiar to anyone who has read Agatha Christie novels, but the added gruesomeness of the deaths and dismemberment of the Umezawa girls made for a more compelling and complicated puzzle. The unexpected note from the author to me (or the reader) was also an added surprise which I found unique and original.
I can understand how some people could find this novel boring. It is not designed to transport readers to strange places or give them insights into the complicated minds of psychopaths. It really is recommended for those who want to exercise their brains and engage in a little mental activity; to analyze clues and hints provided by the author in order to solve a complicated, albeit, gruesome mystery.
The Tokyo Zodiac Murders [Senseijutsu Satsujinjiken] (1981) – Soji Shimada. Published in English in 2004.
Pushkin Vertigo; 319 pages (paperback)
Personal rating: 2.5/5