I spent the entire month of September reading one book – just one, very long, very good book, which left me literally, exhausted in the end; emotionally exhausted, a bit frustrated, and definitely sleep deprived. Obviously, from the title of the post, the book is Alexandre Dumas‘ The Count of Monte Cristo.
Almost every night of September, I would read till the wee hours of the morning, and was very tempted to continue reading, if not for my job, which sadly, I had to go to. I was quite surprised, really, that I would get so involved in the story, one that is not unfamiliar to me, or to anyone, probably, thanks to the countless movie / television remakes and adaptation.
For the sake of a summary, the story begins in Marseilles, France, in 1815, with the arrival of the merchant ship, the Pharaon, captained by the 1st mate, 19-year-old Edmond Dantes, because of the recent death of the ship’s original captain. Edmond Dantes, young, innocent, naive, returns home, after months at sea, to be with his father, and to marry his betrothed, Mercedes. Edmond’s honest, friendly, and noble character endears him to the owner of the Pharaon who promises to make him its next captain; and indeed, with a promising career, and a beautiful fiancee, Edmond seemed to have quite a bit of luck. His good fortunes were envied by some of those around him, people whom he thought were his friends, or at least, harmless acquaintances – Monsieur Danglars, a crew member aboard the Pharaon who thought Dantes undeserving of being its new captain; and Fernand, who coveted the beautiful Catalan, Mercedes. In an act of pure selfishness, Danglars and Fernand join forces to get rid of Dantes, who stood in the way of their hearts’ desires. They accused him of being a Bonapartist, which Dantes easily explained to the Magistrate, Monsieur Villfort, as a misunderstanding. M. Villefort, believing that Dantes was innocent of the accused crime tells him that he’s free to go, that is, until Villefort learns of his deeper involvement in the unusual situation. Instead of setting Dantes free as he promised, Villefort sends him to the dreaded island prison, Chateau d’If, to be imprisoned for the rest of his life.
In the blink of an eye, Dantes’ good fortunes were destroyed by others’ envy, ambition, and self-interest. Unaware of his crime and the reason of his incarceration, Dantes slowly loses hope, to be replaced by anger and vengeance against those who played a hand at his slow demise. After spending days, months, possibly years in his cell, Dantes’ solitude is one day broken by the discovery of a strange sound emanating from somewhere beyond his cell wall – it was the sound of a prisoner making a tunnel underground with hopes of escaping. Unfortunately, instead of escaping to the outer wall of the dungeon, the prisoner only succeeded in burrowing through Dantes’ cell. The industrious prisoner is Abbe Faria, a learned religious man incarcerated for his treasonous beliefs and ideas. To quell their mutual loneliness, Faria and Dantes strike up a friendship and decide to work together to plan their escape. Being a learned man, Dantes tells Faria his story, hoping that the Abbe could shed some light on the puzzle. The Abbe explains to Dantes the possible cause of his unfortunate predicament, including the culprits behind his imprisonment; this knowledge only strengthens Dantes’ vow of vengeance. Dantes entreats the Abbe to educate him, and the Abbe teaches him everything he knows, from the sciences, to philosophy, history, logic, mathematics, and languages. In the course of their friendship, Dantes’ knowledge about the world and mankind increases, and their escape within their grasp, had it not been for the Abbe’s sudden attack of illness. Due to the sudden onset of the Abbe’s medical condition, after testing and finding Dantes worthy, he shares with Dantes his final secret – that of unlimited treasures buried in the Island of Monte Cristo. With the Abbe’s death, Dantes is presented with a once-in-a-lifetime opportunity to escape from prison to gain his life back.
Back in the real world, after 14 years in Chateau d’If, Dantes seeks out Abbe Faria’s buried treasure. Saddened by the news that his poor father died of starvation and that Mercedes had married, only 18 months after his incarceration, Dantes sets in motion his complex and elaborate plan to destroy those who had a hand in destroying his bright future. It is not known what exactly Edmond Dantes did between the time he acquired his treasure and when he was re-introduced to readers as The Count of Monte Cristo, 9 years later, except that he probably gained more knowledge, refined his plans and put his chess pieces in place, in preparation for his entry into Parisian Society, and into the lives of the now wealthy Danglars, Villefort, and Mecredes and Fernand Mondego, now the Countess and Count de Morcerf. It goes without saying that those who destroyed Edmond Dantes suffered much in the hands of the Count of Monte Cristo, for his memory is long, and his anger deep.
Upon its first release, The Count of Monte Cristo was a serial, published from 1844 to 1846. With its compelling story line, which is part drama, part adventure, part romance, highlighting human nature that everyone regardless of class or generation can relate easily to, I can imagine how readers anticipated each new chapter. It’s no wonder it was one of the most famous novels of its time, and possibly Dumas’ most well-received novel. Through the years The Count of Monte Cristo has been criticized of its shallow characterization and historical inaccuracies, but despite its flaws, errors, and inconsistencies, it’s still a very compelling, highly readable story which captures the hearts and imaginations of its readers. It’s hard not to grieve for young, albeit naive, Dantes who is jailed of a crime he had no idea of, and it’s hard not to empathize with his hate and anger towards those who had wronged him. When Dantes finally appears as the mysterious and unbelievable wealthy Count of Monte Cristo, it’s hard not to be seduced by his quiet, but menacing confidence. What endears him more to readers is, despite his promise to avenge himself, using his unlimited wealth, he is still, despite the changes he had undergone to prepare himself for his revenge, affected and moved by human emotions and entreaties. Deep down, behind the untouchable exterior he had created for himself, he is still the same gentle, and noble Edmond Dantes, who at times questions his vow and raison d’etre.
Despite its weight, The Count of Monte Cristo is quite hard to put down. It’s a massive novel – my copy is 1,055 pages long, and aside from the main plot of Edmond Dantes’ revenge, there are many little side stories which help to give depth to the story and complicate the plot. Each of the stories are interesting in their own right, though sometimes annoying because it sometimes veers away from the main plot. Though very long, with its numerous side stories, the plot and style of writing is straightforward and to the point. My only frustration with it really is that, after the appearance of the Count of Monte Cristo, the story focuses less on him and his thoughts, and more on those who he plans to destroy.
Though it took me about a month to finish this, I really didn’t want it to end. Even now, days after completing it, I’m still a bit sad thinking about it, and if I’m honest, frustrated at it’s ending, especially with Edmond Dantes’ bittersweet love story. I can’t stress enough what an enjoyable read this was, and those who dismiss the novel because they already saw the most recent movie (which is total crap, by the way), or because they already know what it’s about, are making a serious mistake. Yes, by now, we all may have some idea of what it’s about, but it’s so much more than a revenge story; it’s a story about overcoming adversities without being jaded or defeated; it’s about surviving insurmountable obstacles without losing hope, and faith, not just in a higher being, but in humanity. Though written almost 2 centuries ago, it still reflects human emotions and sentiments which people can still very much relate to today.
The Count of Monte Cristo (1844) – Alexandre Dumas
Canterbury Classics; 1,055 pages; Paperback
Personal rating: 5/5